Sunday, May 17, 2009

Sound

My laptop refuses to unmute itself. It's just the latest way it's giving up the ghost. While I realize that my laptop is not purposefully trying to agitate me, it is still frustrating. I keep checking and unchecking the mute button, and unsuccessfully trying to restrain my rage.

I really love sounds. I’ve been thinking about that a lot recently. My bible study has been talking about meditation and it reminds me of the classes I took in Junior High. All candles and incense and quietness, the meditation was about focusing on nothing. I used it as a way to calm panic attacks and retreat from my life full of teenage stresses. Despite my almost ADD-like attention span I was able to fall into and meditate extremely well. Sometimes I used candles, sometimes visualizations (never incense because my mom thought that was 'weird') but I was never able to master meditating in total silence. Oh, I learned the techniques about imagining heavy hands over your ears or turning down dials to quiet the world...but they never worked for me. I just enjoy hearing too much.

I've always been enamored with certain sounds. The sound of rain on metal bleachers, fingernails on keyboard keys, heels across parking lots, and the popping of logs in a fire. Some of them can be traced back to specific events or times in my life, sense memory that resonates within me. But other sounds I just love because they are there. Like a foodie salivating over a farmers market, I love to immerse myself in sound. A new piece of music, the sound of my neighbors mowing, waves on a beach, water dripping in the sink. I love lying in bed and just listening. The scrape of a squirrel on the roof, wind pushing branches together, cars rushing past. They all swirl around me, a rich orchestra of life.

Better yet, sound fuels my imagination. The heavy footfalls in a parking garage scream tension and danger. The gentle burble of a creek highlights serenity and calm. Chirping crickets speak of summer laziness and relaxation. When I get particularly stuck on a piece of writing, I like to stare out my window with my eyes closed. Seeing things often distracts me too much. When I see a man walk down the sidewalk I automatically come up with his story. That's the hat his wife made for him, he hates it because blue reminds him of his first love who he lost tragically in a boating accident and yet it makes his wife happy so he puts it on and smiles through the pain. Those type of stories are easily thought of when I look...but when I hear...my mind reaches an entirely different level.

The wind tickles the chimes outside my window, barely eliciting a few bell like sounds before rushing around the bushes beneath them. A car door closes across the street and someone hums as they unload items from a trunk. The humming is satisfied but tuneless, just a happy noise bubbling up from the soul. A rhythmic sound comes from the far right, wheels of some sort running over cracks in the sidewalk. Maybe a kid on a bike heading down to grab a Slurpee, or a mother pushing her baby in a stroller. I tilt my head to listen better, straining to determine the source. It sounds like several wheels so maybe it's someone roller staking, or a boy on a skateboard. Yet it sounds bigger so it could be a family pulling their children in a wagon. The temptation to open my eyes grows as I hear the sound nearing my window but I clench them closed tightly. Listening isn't about finding out the reality behind the sound, it's about using the sound to stretch my imagination.

Sure, I probably won't use any of what I hear in my writing and most of the times I don't even include sound descriptions in my writing. It's just one of those extra pieces that lies just off the page. You know those, right? You write about places and people and things and fit so much onto a page yet there is all this extra that is never included. The main character's childhood pet isn't necessary to the story, yet the knowledge is in your head. The way the emergency blanket feels clutched in the firefighters hands doesn't add to the plot, but you know it anyway. The sounds that permeate a story don't always get included, but I can hear them just the same.

Friday, April 10, 2009

Early morning maudlin poetry

If you saw me in the morning
all sleepy eyes
and swollen lips
Would you care about me?

If you saw me over breakfast
with milk mustaches
and dripping hair
Would you see I'm normal?

If you saw me at work
brows all furrowed
and biting nails
Would it change your mind?

If you saw me in the evening
feet on the table
and relaxed smiles
Would you understand?

If you saw me differently
not easy or lonely
or simply there to hurt
Would you see me as me or just as something you can use?

Wednesday, March 25, 2009

5, 7, 5

sleepy summer night
cows under the yellow moon
don't tip them over

I have a haiku problem. I just can't write them. For some strange reason they always come out wrong. Not even "oh, that's not so good" wrong. It's a full-on "is this even poetry or am I in the middle of a brain aneurysm" wrongness.

bag boy in apron
peering at your groceries
judging your baked goods

What's strange is that I used to be able to write them. I had the same teacher for 2nd and 4th grade ( Mrs. Bulmer...best teacher EVER) who introduced me to the style. I remember sitting at my desk and clapping for each syllable as I penned masterpieces about snow and blueberries and horses. While definitely the work of a 2nd and 4th grader, those poems are recognizable as haikus and they make sense. So somewhere between 4th grade and now...I lost the ability to haiku.

soft rain on the roof
dripping on my forehead
call a plumber now

Is Adult-Onset Haiku Deficiency (AOHD) a real thing? Do you think there are treatment programs for this? Do those programs involve lots of Japanese art and thinking about nature? Or am I just doomed to keep producing these same disasters?

cookies in the trash
under a banana peel
wasted happiness

Friday, March 13, 2009

Things I’ve almost written

Last night was one of those nights. You know the kind. Your fingers itch, your mind races and you long to put words to paper. But for some reason nothing worked out. My writing stuttered all night, each new idea dying out just after conception. It was terribly frustrating and not just because I felt impotent. Some of these ideas were really interesting!

  1. “The Littlest Thief” – An epic ballad of a young girl from New Jersey and her quest that turned her into a camel thief.
  2. A series of limericks that mocked cable news pundits.
  3. “Foster!” – An opera about people who give temporary homes to wild animals.
  4. “The Telltale Pea” – Dramatic retelling of the DVD remote that got lost under my mattress.
  5. Short fiction piece with the prompt “Don’t you wear those on your feet?”
  6. An essay on the importance of bread choices in sandwich making.
  7. “Hammering Bones” – A love poem about pianos (or possibly a skeleton)

Okay, I said they were interesting…I didn’t say they were good.

Monday, February 2, 2009

Writing as a kid

When I was little my ideas for stories far outpaced my ability to write. Luckily I had people around me (friends, teachers, family) who were willing to help. I just recently found a copy of The Silence, a story my mom wrote down for me when I was six. The paper is yellowed with age, the pencil is faded and the story obviously comes from the mind of a six-year-old. Maybe it's the obvious insert of my friends and sibling's names, or the title that I remember fretting over, or just the fact that it's in my mothers handwriting but there is something wonderful about it.



The Silence

       In the shadow of a lonely hill lay the small village of Hudson. The people of Hudson led happy and peaceful lives until one spring unusual things began to happen. It started when Josh Hewitt, a small boy of six, began disappearing while playing outside. Although he always turned up and seemed alright, he could never answer questions about where he had been. Most people were not concerned because they knew small children have a habit of wandering away, to chase a butterfly, follow a bug or walk toward someone or something seen off in the distance.
       People began to notice a silence that seemed to cover the village during Josh’s disappearance. No breezes stirred, no sounds of animals and not even sounds from the large city on the other side of the hill could be heard.
       The leaders of the village met to discuss the problem. They decided the best plan of action would be to follow Josh. For several days they tried this and found they could not keep up with a six year with unlimited energy and imagination. A decision was made to use other children to help. Three children were chosen, Lee Park, Susan Winningham and Lily Park. They were to spend time with Josh instead of following him. The next day the four children spent the entire day together. After Josh had gone home Lee, Susan and Lily reported back to the village leaders. They said they had all been with Josh every minute and nothing had happened. The leaders thanked the children and sent them home. After the children left the village leaders faced one another with worried looks in their eyes. Twice during the day the silence had come and both times all four children had been missing.
       Now the problem was whether to risk sending more children and maybe still have no answers or to try again with adults. A decision was made to have a village picnic. Tha way everyone would be in the same area and surely someone would catch Josh and the other children before the silence began. All the villagers were invited, from the youngest to the eldest, and all the answers came back that they would attend. The date was set and all the plans were made.
       The day of the picnic began with warm sunshine, gentle breezes and the calming sounds of animals and birds. The people of Hudson gathered near the village school for a picnic and a search for an answer.

       As the man and woman walk along the empty fields in the shadow of a lonely hill they talk about the old stories. The stories that have been passed down for many, many years about a village named Hudson. Of how one day the village and all of it’s people disappeared and nothing was left behind to show it had ever been there. They talk and laugh about how stories start and grow and how only the young or foolish believe in them. As they turn to walk away a silence seems to cover the area the breezes stop stirring and the birds overheard can longer be heard. Instead they hear the sounds of children laughing and playing and of adults talking and visiting, in fact it seems to be the sounds of a village picnic.
The End

Thursday, January 8, 2009

30 Minute Story A Day - It's Not Easy Being a Ninja Pirate

It's not easy being able to see both sides.

"That's a little harsh, don't you think?" Stan tugged at his collar worriedly. "I think they're intimidating."

"With those stupid hats and lame poofy pants? They're a total joke!"

"Maybe..." Stan paused as he pulled his mask over his face. "Maybe they think we look silly too."

It's not easy being a visionary.

"I'm not sure this is such a good plan." Stan said quietly, peering out over the dark sea.

"What's so hard to understand, Stanley? We find them, we fire, they surrender, we win."

"We're in this giant thing with a flag and there's all the singing and buckling of swashes and it's a bit obvious."

"What do you suggest, running around in black bodysuits and masks?" The deck broke out in laughter and Stan cringed, turning back to the sea.

"Something like that, yeah."

It's not easy being shunned.

"Enough. Take off that ridiculous getup."

"But you can't even tell I'm wearing an eyepatch under this mask!" Stan replied, staring into the mirror.

"You're either with us or against us, Stan."

"I am with you!" Stan insisted. "I'm just sort of also with them. At the same time."

"No, Stan. You're not with either of us."

It's not easy being on your own.

"Give me your valuables." Stan growled, brandishing his sword.

"Are you supposed to be talking? Aren't you guys all silent and menacing?"

"I'm not like them."

"You jumped through my window."

"I've got a sword and...and an eyepatch!"

"Oh. So you're a..."

"Yeah."

"Then why are you dressed like...?"

"Ugh." Stan sighed. "Forget it."

It's not easy being a ninja pirate.

Wednesday, January 7, 2009

30 Minute Story A Day - Nancy & Cassandra

"Does this strike you as weird?"

"Many things strike me as weird. What 'this' are you talking about?"

"This this. The two of us as the sole members of the junior prom committee."

"Well, it's certainly not what I thought I'd be doing today but I don't know that I'd call it weird."

"We've never even been to a dance."

"It's not like it's a totally foreign concept."

"What about the fact that nobody showed up to help?"

"Maybe they all came to their senses and realized that school dances are an outmoded form of forced social mating that honors materialism and male posturing."

"You think?"

"No. It's more likely that they formed their own committee after we got assigned here for detention."

"That sounds more like them."

"They're probably meeting in a darkened room right now, going over renegade caterers and how to score a disco ball on the black market."

"Streamers and tulle that fell off the back of a truck?"

"A covert plan to liberate their choice of DJ."

"Viva La Prom!"

"I kind of want to go to that prom."

"Me too. Of course, we do have full reign here so we could shape this prom into something awesome."

"And crush the spirit of those rebel party planners!"

"Settle down, Noriega. Let's concentrate on keeping our own spirits uncrushed."

"I never get to have any fun. What's on the our list of doom?"

"Let's see, come up with an original yet timeless theme that embodies the true character of the student body."

"Which is more timeless, apathy or ignorance?"

"Toss up, really."

"Or the race to gain materialistic goods even if it kills you."

"You just want zombies."

"Who doesn't?"

"We're already in detention."

"Good point. Under the sea?"

"Under the sea."